Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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James Abbott McNeil Whistler
Arrangement in Schwarz Portrait von F.R.Leyland

ID: 45385

James Abbott McNeil Whistler Arrangement in Schwarz Portrait von F.R.Leyland
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James Abbott McNeil Whistler Arrangement in Schwarz Portrait von F.R.Leyland


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James Abbott McNeil Whistler

1834-1903 James Abbott McNeill Whistler Art Locations   Related Paintings of James Abbott McNeil Whistler :. | Harmony in Grey and Green | Rose and Silver | Dancing Girl | At the Piano | Blue and Gold-Old Battersea Bridge |
Related Artists:
Roland Knight
British, active circa 1810-1840
Lorenzo Delleani
(Pollone (Biella), 1840 - Turin, 1908) was an Italian painter. A pupil of Cesare Gamba and Carlo Arienti at the Albertina Academy in Turin, Delleani worked initially in the field of history painting and received various marks of official recognition. He exhibited work at the Paris Salon of 1874 and gradually modernised his means of expression and range of subjects at the end of the decade with a new focus on landscape and painting from life. The early 1880s saw an exclusive focus on painting en plein air, capturing light in thick strokes of colour. His most frequent subjects were views of the Piedmontese and Lombard countryside in changing conditions of light and season. The artistes presentation of some 40 works at the Venice Biennale in 1905 and participation in the International Exhibition in Munich of the same year set the seal on his international success.
John Henry Twachtman
American Impressionist Painter, 1853-1902 American painter and printmaker. He began as a painter of window-shades but developed one of the most personal and poetic visions in American landscape painting, portraying nature on canvases that were, in the words of Childe Hassam, 'strong, and at the same time delicate even to evasiveness'. His first artistic training was under Frank Duveneck, with whom he studied first in Cincinnati and then in Munich (1875-7). His absorption of the Munich style, characterized by bravura brushwork and dextrous manipulation of pigment, with the lights painted as directly as possible into warm,






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